Showing posts with label film. Show all posts
Showing posts with label film. Show all posts

Wednesday, 17 June 2020

Sushant singh resigns from cintaa

  • Now friends as we are the fastest news provider from film and tv.
  • A new news has broken out that sushant singh is no mote a member of cintaa
  • It will come as a shocker for cintaa members
  • The correct reasons for resigning is not know
  • But cintaa has stated
    Cintaa
"Dear member, this is to inform you that Shri Sushant Singh has resigned from the Executive Committee and his post of Honorary General Secretary, due to personal reasons, effective 16th June, 2020. We wish him all the best for his future endeavours & thank him immensely on behalf of all the members for his invaluable contribution to the association. Regards, Executive Committee CINTAA."
We shall give you more updates.

Thursday, 15 February 2018

Aiyaary rewiew 3*

Movie: Aiyaary
Cast: Manoj Bajpayee, Sidharth Malhotra, Kumud Mishra, Anupam Kher and Naseeruddin Shah
Director: Neeraj Pandey
Time: 160 mins
Stars: 3 out of 5

Director Neeraj Pandey’s latest thriller, Aiyaary, set against the backdrop of the Indian armed forces, is about a young officer who goes rogue after stumbling upon the Indian military’s murky goings-on.
But you get the distinct impression that it’s the director who’s scared of going rogue and demonising the establishment or the men in uniform.
Precious minutes are lost in explaining character quirks, eccentricities and idiosyncrasies of a clutch of military officers and a couple of well-dressed arms dealers. The dialogues between the idealistic and the corrupt are painfully stilted.
Direction is good by neeraj panday. He keeps the viewers engaged but makes it boring and easy written story in the end.

When it came to performances, it was seasoned actor Manoj Bajpayee who was in total command.
He plays the senior military officer Col. Abhay Singh and is a joy to watch as he sinks his teeth into the role of a staunchly scrupulous army officer. He has got the mannerisms and the body language of a disciplined soul figured out to the last letter. He’s the devilish head of a covert cell that thwarts baddies in his distinct cavalier style.
Representing the millennials is his dishy protege, Jai Bakshi, played by Sidharth Malhotra. But his character isn’t as fleshed out and what you get is an unconvincing army deserter. His reasoning for going berserk and outing his own mates lacks teeth. The climax, which explains his source of disillusionment, is hastily wrapped up. Till then, the over-stretched thriller is intent on over-explaining but the portions that needed that kind of adoration and attention were hurriedly done. The climax felt forced; it lets the whole film down. The portions where Bakshi romances the young woman Rakul Preet Singh, a nifty hacker, is unconvincing and lame. Singh looks fetching, but doesn’t win us over as a sly hacker.
Aiyaary also boasts some of the finest talents in Hindi cinema right now. There’s Kumud Mishra, Adil Hussain, Naseeruddin Shah and Anupam Kher in this ensemble espionage drama, but they are grossly under-utilised.
Hussain and Mishra, as the cold and soulless businessmen who are out to get the rogue spy, aren’t as sharp as their suits. Their seedy style of conducting business felt forced and unnatural.
Shah, who plays the token common man in Pandey’s socially-conscious Aiyaary, suffers from a serious A Wednesday! hangover. When he utters the veiled threat — ‘don’t ever provoke a common man’ to highlight his have and have-nots divide during the climax — the regurgitated sentiments from A Wednesday! come screeching back.
But your misgivings erode when you watch Bajpayee in action. His wry humour at world problems, delivered in his nonplussed manner, are comic gold.
Aiyaary is a toothless thriller about a clutch of morally-complex, dapper men-in-uniform who turn against each other, but the reasons for doing so doesn’t get enough play.
But its a film to watch once. I give it 3*

Saturday, 27 January 2018

Padmavat gets industry support

http://googlebeast.blogspot.in/2018/01/padamavat-gets-support.html?m=1

Industry supports Padmaavat !



Well on its way to making box office history, Sanjay Leela Bhansali's Padmaavat is a cinematic experience like never before ,combining larger-than-life visuals , spectacular performances , enthralling music and master storytelling.



Having garnered immense love from audiences across the country, the Indian film industry has also come out in strong support of the film as they watched Padmaavat at a special screening.



Some of the biggest stars and filmmakers have been all praise for the film and Sanjay Leela Bhansali's ability to extract the best performances from his actors.



Says Varun Dhawan, " #Padmaavat is a cinematic experience that cannot be missed. #SanjayLeelaBansali weaves his magic yet again. @RanveerOfficial wow wow @shahidkapoor powerrrrrrrr @deepikapadukone Rani ko 🙏

 Don’t miss it!



Says Alia Bhatt, " Sanjay sir you have nailed it once again with the world you’ve given us! Can’t wait for your next magical piece already! Running out of big beautiful words to describe your films ☺ Thank you for this experience".


Says filmmaker Sujoy Ghosh, " i saw Padmaavat by SLB. i am sooooo proud of @sudeepdop .. what a visual spectacle.. i thoroughly enjoyed. @RanveerOfficial @shahidkapoor and of course.. the one and only @deepikapadukone ... thank you for the cinema!"


Says Sonakshi Sinha, " So so SO proud of these 3 supremely talented individuals who i have the privilege of calling my friends. @RanveerOfficial, @shahidkapoor and @deepikapadukone... still reeling from #padmaavat, unable to express in words! More power to you all!"


Says Kriti Sanon, " I was glued to my seat for a few seconds even after #Padmaavat ended! Only #SanjayLeelaBhansali Sir can do this🙌

! @deepikapadukone u are stunningly beautiful & loved your thehraav! @shahidkapoor power packed & so so good!👌

 @RanveerOfficial u killed it! just Wow!!"


Says Yami Gautam, " In absolute awe of ‘Padmaavat’ .. leaves you speechless ..Simply loved it .. A must watch experience for all .. Kudos to #SanjayLeelaBhansali & his entire team! "


Adds filmmaker Ashwiny Iyer, " Art enables to find ourselves & lose ourselves at the same time.Thankyou #SanjayLeelaBhansali for giving us #Padmaavat which takes us to a world where we can say with pride ’we were born to create’Huge hug & speechless @RanveerOfficial @deepikapadukone @shahidkapoor"



Says designer Masaba Gupta, " When you have nothing to prove & no one to become ... you give a performance like that of #Khilji by @RanveerOfficial - I felt so free , after watching you today.brave brave man”



Says Shilpa Shetty Kundra, " Saw Padmaavat' .What an Epic film with Stellar performances by @RanveerOfficial @shahidkapoor n @deepikapadukone who is dignity personified! Take a bow #SLB, every frame is incredibly stunning !This film is a MUST WATCH for the sheer effort n trials this team has braved 🙏

#Padmaavat"



Adds Vicky Kaushal , " A spectacle beyond belief! Only SLB Sir could have given us a film like #Padmaavat Hats off to the entire team for this gem! @RanveerOfficial your brilliance is unmatchable @deepikapadukone the restraint,the gravitas, those eyes @shahidkapoor every bit a King"




Says Rishi Kapoor, " Extraordinary! #Padmaavat"


Says Shamita Shetty, " Absolute epic,brilliant piece of cinema @filmpadmaavat created by @BansaliSanjay !Spellbound & awstruck by grandeur with brilliant performances by @RanveerOfficial , @shahidkapoor &regal @deepikapadukone who was dignity personified! wht was d noise about??A must watch!!"


Adds filmmaker Sujoy Ghosh, " i saw Padmavati by SLB. i am sooooo proud of @sudeepdop .. what a visual spectacle.. i thoroughly enjoyed. @RanveerOfficial @shahidkapoor and of course.. the one and only @deepikapadukone ... thank you for the cinema!"



Viacom 18 Motion Pictures & Bhansali Productions’ Padmaavat released worldwide on 25th January in 2D & 3D .blogspot.in/2018/01/padamavat-gets-support.html?m=1

Friday, 6 October 2017

CASTING COUCH EXISTS - RADHIKA APTE

Radhika Apte is one actor who has been breaking all norms that once defined the heroines of Bollywood. Her unconventional looks and her art house appeal have never held her back from stepping confidently into the mainstream or fulfilling her most ambitious acting dreams. From Akshay Kumar’s Padman to pairing up with Saif Ali Khan in Sacred Games and Ayushmann Khurrana in The Piano Player, Apte boasts of a rather impressive line up.
She says More than auditions, it’s the meetings you know. Initially you go for these meeting and they tell you ‘you need to do this to yourself, you need to do that to yourself’. But I would never be bothered. She further added , if you are the son of a businessman who has a huge business, it’s obviously easier for you to at least get introduced in that scene. So it’s not something that happens only in the film industry. It happens across every field. Even for a shoemaker’s son, it would be easier to start a shoe making business than for anyone else.  coming to the CASTING COUCH INCIDENT she says, I just got this one call where someone told me that ‘listen, if you want to go meet this producer he might ask you to sleep with him’. I laughed and I said ‘no, I am not going to meet him then’. But other than that, I have worked with lots of people and I have never faced this.

Friday, 28 October 2016

Aedilhaimushkil-FILMREVIEW3.5*

So here comes THE DIWALI and comes with the most awaited film #aedilhaimushkil.
The most confusing love story yes ofcourse with a presence Of freshness and flavors of #karanjohar.
It teaches you the romance of present generation and shows you how confusing it can get and two persons who fall in love dont actually know they need partners out of emotions, sex,selfishness or actually its a matter of soul connection.



Ayan (Ranbir Kapoor) and Alizeh (Anushka Sharma) hook up at bar in London with no agenda whatsoever. They instantly click and there are sparks flying already.
Alizeh has a deadly past with her long time boyfriend Ali  Fawad Khan) breaking her heart, Ayan on the other hand is a emotional wreck at handling any relation.
After the two get close, Ayan falls for Alizeh and is certain that it is love. To his disdain, Ali returns to Alizeh’s life and she gets married to him.
A heartbroken Ayan tries to find solace in the beautiful Sabah (Aishwarya Rai Bachchan). The duo don’t go a long way because of Ayan’s continued love for Alizeh.
Will Ayan’s unrequited love for Alizeh receive a reciprocation?

Love ‘tedha hota hai’ is the truest statements you will learn from Karan Johar’s Ae Dil Hai Mushkil. Of course it is also true that the one who falls for this concept will say ‘tedha hai par mera hai’. This is exactly what ADHM is all about. It deals with the complexities and blurred lines between love and friendship and the fact that the former cannot be manufactured.
One strength of Ae Dil is the amazing dialogues. Yes! There are a lot of philosophies being thrown at you but you may very well connect with them.
I mean come on, who has expressed happiness in a better dialogue than ‘Dil ka pet bhar gaya ho’.
There’s also a noteworthy dialogue of Alizeh explaining why she hates flowers and it is quite aptly said.
In terms of characters, Ayan and Alizeh are fine but Sabah’s character lacks depth. There could have been more to that angle.
Karan gets most of his script right up until the end when he messes it up with a huge cliche.
Ranbir Kapoor has nailed the ‘friendzoned’, heart broken lover act. Yes, REMINDS OF ROCKSTAR But then again, that was his great act too. As Ayan he is lovable and you want to pull his cheeks too just like Anushka.
Anushka Sharma looks beautiful as Alizeh. She is a delight as the bubbly girl who breaks down when in pain. After Sultan, another good act from her.
Aishwarya Rai Bachchan looks like a dream. She can truly give all the new gen actresses a run for their money when it comes to being sexy with grace.
Lisa Haydon’s cameo as Ayan’s girlfriend is totally spot on. She is funny as heck.
Fawad Khan is hot! You can’t take your eyes off Ali.
Shah Rukh Khan too gets a small role and he cracks the most important dialogue of the film, “Ek tarfa pyaar ki takaat kuch aur hoti hai, wo auron ki tarah do logon mein nahi batti. Sirf mera haq hai iss par.”
Alia Bhatt and Imran Abbas are seen in glamorous cameos.
KARAN JOHAR AS THE DIRECTOR IS MARVELLOUS.
First half has been shot beautifully with even the Paris portions and runs at a good pace. By the second half, things are quite clear as to who’s in love with whom and you kind of figure the ending. A run time of 2 hrs 38 minutes is slightly more for a romantic film and that could have been avoided with a few cuts in the final 15 minutes.
Music by Pritam is excellent.
On the whole its a film for young kids who still are finding love of their life and will get super confused and focus on their career.
Ranking 3.5 as its a one time watch for good performances.

Thursday, 27 October 2016

SHIVAAY-FILM REVIEW 3.5*

#shivaay the film which every daughter should watch. Its a film about how protective a father can be when it comes on his kids.


Its a story about a brave heart man called shivaay who is a mountain climber. He takes risks and a good man from heart one day falls in love with a Bulgarian beauty.

They fall in love and soon shivaay becomes a proud father.
But this Bulgarian mother does not want to stay back and hence she returns to her own country leaving her child and husband behind.
After 9 yrs tje lil girl comes to know she has a mother who is in bulgaria.she convinces mr. Devgan and finding mummy begins.
Once devgan and the lil girl reach bulgaria the real problem begins.
Does the expedition falls in place is the rest of the story.

Devgan has woven a journey of daughter and father very well and succeeded in getting tears.
He has taken cinematic liberty and sometimes works as a super human which somewhere makes the audience think, is it too much for a real man?
Story and screen play reminds of mardaani and ajay devgan finding salman for aishwarya.

But no doubts Ajay devgan is the show stealer as shivaay and as a director.
If the film would not have been lenghty it could have got a repeat value.
The lil girl as a childactor is superb.
Erika is cute and beautiful.
Girish kannad is wasted. Rest of the cast lends good support.
Cinematography is of high order. You will fall in love with the snowy mountain s.
Action is mind blowing.
Music goes well with the film.
This diwali it might not be your first choice but yes its a paisa wasool movie. Every kid will go home and hug their father for sure.

I give 3.5*


Thursday, 6 October 2016

MIRZYA film review2*/5

#MIRZYA 

Star Cast: Harshvardhan Kapoor, Saiyami Kher, Anuj Choudhary, Om Puri, Art Malik
Director: Rakeysh Omprakash Mehra.
Mirzya is for people who enjoy poetry in motion, this film is exactly that. For those who prefer filmy love stories, this intense affair may bore you out.
I must say , this was not a debut movie for harshwardhan.
Based on the Punjabi folk legend, the love story of star crossed lovers Mirza Sahiban, this film is divided into two eras.
One where, through horse-back riding and shooting arrows, Mirza tries to win Sahiban by competing with her brothers.
In contemporary times, Suchi/Suchitra (Saiyami Kher) and Monish (Harshvrdhan Kapoor) are childhood friends until a gruesome crime tears them apart. Years later, Suchi returns to India for her engagement to a royal prince, Karan (Anuj Choudhary), only to fall in love and rekindle her friendship with the stable boy, Adil who is actually Monish.
With the class difference and the horrific past, can Suchi and Monish’s love survive? What is the legend of Mirza-Sahiban all about?

There had been a lot of expectations from Mirzya considering, the screenplay has been written by Gulzar. The man is known to write even silences that convey way more than words. Re-telling the Romeo-Juliet’s Indian version, the film communicates more in the verses narrated and songs than in casual dialogue.
The lyrical narrative of the film is difficult for everyone to fathom. Also while the folk tale makes sense, its modern day take seems too archaic. Not all love stories that are meant to be legends need to have tragic climaxes. It would have been wiser if Mehra would have seeked a contemporary ending to a contemporary tale.
The narrative is pretty much broadway musical or ballet recital style where we see colorful Rajasthani groups singing about what’s about to happen next.
For a story that is anchored to the two lovers Suchitra and Monish, there is hardly any dialogue to give them a strong footing as characters. For the bygone era it is easily palatable but the new age love angle contrived at many junctures.
There is a level of disappointment in the script since we rarely feel the passion that Suchi and Monish are supposed to have. It is at this point one realizes that with a similar tragic love story, the reason Marathi movie Sairaat won over everyone was its sparky dialogue which Mirzyalacks.
The first half hardly establishes anything as it moves on a very slow speed, in spite of having breathtaking visuals, one particularly feels this because there is slow growth on the story side.

Mirzya Review: Star Performance

This is supposed to be Harshvardhan Kapoor’s big Bollywood debut. Unfortunately, he does not get much to show off his acting chops. The haggard look of the stable boy, he surely does not impress. His horse-riding portions prove he has put in ample of hardwork. This Kapoor lad should have worked on his body because the competition is tough.
Saiyami Kher looks luminous in the film. The challenge for both debutantes in the film is to emote without much dialogues and this is where Kher is not really her best.
Anuj Chaudhary who plays Saiyami’s fiance does an extremely impressive job. Not only is his royal demeanor highly likable, his sudden transition into a grey shade character is marvelous.
Amongst the supporting cast, Art Malik does a great job.
Om Puri has a cameo which does not contribute much.

Mirzya Review: Direction, Music

The direction is really confusing only cinematography department is where the film truly excels. Mehra has list his catch to be a true story-teller and his inspiration from Greek tragedy, (a peculiar form of theatre) is quite evident. With Gulzar’s magnificent words at his hands, Mehra’s Mirzya falls short of becoming a masterpiece thanks to its non-commercial music and a strong plot.
The cinematography comprising of Ladakh’s beautiful landscapes to the colorful Rajasthani folk flavor and also, Udaipur’s plush palaces is absolutely stunning.
VFX is another department where this film is pulled down. In the scenes comprising of fireballs being hit by arrows and also a leopard attack, the visual effects of poor quality lose the impact.
Also, the languid pace of the film is surely going to be a test of everyone’s patience.
Shankar Ehsaan Loy and Daler Mehendi’s music does not always hit the right notes. Chakora is weirdly trippy and the video is too confusing. On the other hand, Daler Mehendi’s screeching vocals in a rather sad scene are a complete mood-killer.
All in all, Mehra’s Mirzya goes overboard with its experimental nature and cannot appeal to all.
The stunning visuals and horse riding long shots are excellent. Editing too is top notch.
As a piece of content, Mirzya has little to offer. It is poetic but fails to connect with the viewers at many levels.
I will give 2*/5 to the much awaited #mirzya

Thursday, 22 September 2016

Banjo film review 3* feel good film

A film about musicians from the Mumbai has the potential to inspire you. It is film where you can relate your self with the mumbai city and slums life of the city. The hardships and the dream of the poor to become big is well defined.
Banjo, led by Riteish Deshmukh and Nargis Fakhri, seems to be grappling with an identity crisis.
Its an action film with a  feel-good drama about underprivileged musicians living in Mumbai slums.
There’s Fakhri who plays Chris, a DJ from New York.
Deshmukh, plays Tarat, who can single-handedly fight off brutish men with his fist and extort money from them. He’s also a modern-day superhero because he can save young boys who fall down a giant hole filled with dirty water. If that doesn’t earn him brownie points as a good-natured guy, then we are told he’s also a creative genius when it comes to the banjo, the musical instrument that’s often forgotten which is bit unconventional.
Deshmukh looks good as a shaggy musician with unwashed hair. But should have worked on his body more to look up as tarat bhai.
The scenario that a DJ from New York would come to Mumbai to hunt down a group of musicians in a Mumbai slum and talking in hindi could have been more well defined.
The other band members from Tarat’s team have some of the best comical lines. But that’s not enough to redeem this drama-slash-comedy.
To make an easy writing, there’s also a villain who dislikes tarat but in the end has a heart change towards the hero is not well justified.
Yes the film makes you cry with few emotional scene. Especially when tarats father die.
Casting is really been worked well.
While Banjo should ideally have been a showcase for Deshmukh to flex his acting muscles in a solo hero project, this film could have been more of banjo melodious tune which is lacking. The film had a potential to go gaga over box office but the director and the writers some how rushed towards an abrupt ending. But after such a long period a film has come to showcase mumbai which is good .

Out now
Film: Banjo
Cast: Riteish Deshmukh and Nargis Fakhri
Stars: 3 out of 5

Thursday, 15 September 2016

Pink the film review4.5

The beauty of Pink is that it is highly relatable. This case could happen with any of your friend and that’s why it’s powerful.
Ritesh Shah’s script rightly addresses the prejudices that are latched on to educated, self-earning, independently put up woman in Indian society. Be it the judgmental neighbors or well-educated men who think ‘a girl who drinks and wears short dresses is easily available’.
The setting is Delhi and while many may have a problem to that, there is no shame in admitting the fact that it is the sexual harassment capital of India.
Another amazing point the script raises is that of harassment against North Eastern girls. Andrea’s character even admits in the film to have been through much more eve-teasing. If that’s any less, Shah cleverly also puts across a strong point as to why in spite of being seven different states, we refer every person from Meghalaya, Sikkim, Manipur etc to be a North-Eastern. (Isn’t it a crime if you call a Tamil, Telugu or Malayali to be South Indian? Well, think about it!)
Shah’s script questions all the beliefs that society holds against modern girls. Also, why a ‘No’ means ‘No’ for any lady from being a sex worker, a wife, a girlfriend or friend.
How everyday situations play against the girls to prove their bad conduct is intelligently crafted.
Overall, a hard-hitting script that must force you to think and question.
Taapsee Pannu plays the strong Minal Arora with great effortlessness. She emotes perfectly for every scene and it’s as if a friend of yours is standing in that court being questioned for her lifestyle. This girl has potential to go way ahead!
Kirti Kulhari as Falak Ali does a brilliant job in one of the scenes where she breaks down in the court. She seems extremely comfortable and natural in her act.
Andrea Tariang does a fine job too but gets a slightly smaller role than the other two.
Amitabh Bachchan is a powerhouse performer in any given role. As Deepak Saigal, he does a brilliant job. It’s honestly great of him to choose this film and I’d really hope his star power forces people to watch it.
Piyush Mishra as the prosecution lawyer is on the top of his game.
Angad Bedi nails the bad boy act of Rajvir with just his arrogant stare. You wish to kill him with your bare hands!

Aniruddha Roy Chaudhary directs this film and one feels that he takes inspiration from producer Shoojit Sircar and also Kahaani director Sujoy Ghosh in his story telling style.
One of the best parts about this film is the fact that it visually never shows you the actual incident, up until the end credits. The story is based on the happenings and that mystery builds well in the first half.
Certain scenes are extremely powerful such as the one where Minal’s character lodges an FIR and the interaction that she has with the inspector.
Also, a scene where she is seen drying her undergarments in the balcony while a neighbor stares at the ‘pink bra’ with a judgmental look.
The background score by Shantanu Moitra is a piano note that keeps ticking, as though almost racing with your thoughts.
Amitabh Bachchan’s masked look as he takes morning walks in an overly polluted Delhi is justified in reality but for cinema, it looks creepy and could have been avoided. It does not contribute in any manner.
Songs are used in the background which blend perfectly.
Pink does have its moments where it digresses from the case just to teach a little moral science but I’d say that’s permissible considering our thick-brained audience.

Minal Arora (Taapsee Pannu), Andrea Tariang and Falak Ali (Kirti Kulhari) are independent working girls who share a rented apartment in Delhi.
On a fateful night in Surajkund Faridabad, the three girls encounter, three young men and after a mishap, Minal accidentally hits Rajvir Singh (Angad Bedi) with a bottle which hits him above the eye.
A deep cut and a bruised ego, leads Rajvir and his friends to harass the three girls further. After finding it difficult to cope, Minal lodges a police complaint against Rajvir and friends for molestation.
This step further backfires when Rajvir uses his influence and charges Minal for attempt to murder and extortion as a sex worker.
Will Deepak Saigal (Amitabh Bachchan) a senile advocate be able to fight Minal’s case for justice? Can the law punish Rajvir’s mentality and its impact on the society is what lies ahead.
SPECIAL FILM , SHOULD BE WATCHED 4.5/5*

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Thursday, 25 August 2016

A FLYING JATT FILM REVIEW

Bollywood’s tryst with superheroes has not been very healthy and hence, director Remo D’Souza strays away from making this one an archaic superhero film. He resorts to comic relief as a get away and hence we have a superhero who has height phobia, who buys sabzi in the market, who stops at the red signal and who is not flaunting his powers. While, the concept of this spoof over superheroes works well, his lessons on Environment don’t.
If the textbooks were boring enough to tell you that pollution is harmful, Remo goes on to show that pollution is the cause of cancer today and so while Jadoo got his powers from ‘Dhoop’, this superhero gets it from ‘Fresh Air’ as opposed to his counterpart, Raka who breathes polluted air.
Yeah! Tired just listening to that, well you have two and a half hours to see it in the film. Not all of it is bad but it comes across as a lame attempt to appeal to adults.
If the kiddish storyline is any less, elements such as the Holy tree reminding of Avatar’s tree of life for the Navi’s is even more irritating.
Of course, since his name is A Flying Jatt, we are also given a doze of history of the Sikh bravery. Remo also manages to push in the ‘don’t make jokes on Sardars’ message in this one.
Basically, with all the laughs that come from the funny scenes, there are also the constant yawns over ‘preachy’ stuff!
Tiger Shroff appears in his third film with this one and he still seems quite uncomfortable. He is convincing as the un-confident superhero at start but his weird boyish charm, a poor dialogue delivery surely come in the way. Nobody can challenge him when it comes to the super air-kicks and hence his action scenes look quite good, nonetheless the actor still has long way to go, to come up in the top league.
Jacqueline Fernandez as his love interest has a limited role. She is overly chirpy and shows no signs of efforts taken for this role.Overall an average act!
Gaurav Pandey who was also seen as Varun Dhawan’s friend does a good job in this film as Tiger’s brother. His comic timing is excellent!
Kay Kay Menon’s villainous character is highly caricaturish. He is wearing weirdly blingy ties and if you could pay attention beyond those, you would realize his mean look is ok
Nathan Jones as Raka looks scary enough thanks to his huge structure itself. His ‘Surprise Surprise’ line although doesn’t come across as a threat much but seems rather funny. With no dialogues, he is just expected to open his jaws (with vocals like haaa), widen his eyes and that’s your villain.
Shraddha Kapoor makes a cameo in the film. While her scene is not actually impressive, the dialogue which comes after it, “Usne (Flying Jatt) Toh Shakti Kapoor Ki Beti Ko Chuna” is more funnier!
Amrita area is boring and screechy .
When the film was announced, I did feel that it seemed like an overly ambitious project for Remo who is primarily a choreographer and hence can be a storyteller of sorts but not a director. His vision of coming up with a superhero drama with a message is not bad but its execution and writing is not upto the mark.
It is disappointing to see a blatant rip-off of X-Men First Class’ Quicksilver’s iconic scene here. So not fair!
Graphics used to show us the history portions of Sikhs are decent enough. Action scenes between Tiger and Nathan Jones look like they have been worked hard upon.
Some scenes are hilarious such as Tiger dancing to Sunny Leone’s ‘Baby Doll‘.
While the first half moves away with all the fun frolic of Flying Jatt finding the right costume to coping with his fear of heights and his funny encounters when he goes to save the world keep you entertained, it is the deadly second half that disappoints.
What’s with telling people pollution is the cause of cancer? This starts to make you feel like the second half is a Swachch Bharat ad-campaign.
The climax is out of the world we could say and actually, it is literally out of the world. We see Flying Jatt fighting with Raka into space, the only place where he won’t get to breathe polluted air to become stronger than our Jatt whose energy comes from his turban. (LOL!)
Another problem with this film is the music album. They are completely forced into the plot and other than Toota Jo Kabhi Taara which is a love ballad, have no relation to the storyline.
The background score too is quite irritating every time Raka is on-screen.
All in all, Remo comes up with a film that could serve as a fun lesson for kids on why not to pollute air, why to eat ‘lauki’ (because superhero bhi khata hai) and the fact that if you’re an Indian superhero, Ghar ke jaale saaf karna would definitely be your thing!
Mr. Malhotra (Kay Kay Menon) is a big time industrialist who has been dumping his industrial waste into a local lake. He is a relentless businessman and hence is after a crucial piece of land where a holy tree (Avatar like) stands with a society owned by Amrita Singh’s character and her sons Aman (Tiger Shroff) and Rohit (Gaurav Pandey).
After Aman’s mother stands tall against Malhotra’s men to save her land, he appoints Raka (Nathan Jones) to kill Aman and his family.
Thus, results a fight in the rains, clubbed with thunder, lightening and support from the Holy tree and bam! There is our superhero.
Aman turns a superhero overnight while Raka after lying in toxic waste for over 10 days becomes a Toxic superhero should we say? Well, as a baddie of course.
With Flying Jatt becoming a popular messiah, Malhotra’s business is dooming and hence Raka with his newly attained powers come to the rescue.
Will Raka defeat Aman’s goofy superhero avatar of Flying Jatt? Watch to find out!

A Flying Jatt Review: The Last Word

A Flying Jatt is too silly for adults but could promise enough fun for kids. So I’d recommend this film for ‘Adults accompanied with kids’ only! A 2.5/5 for this!

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